Stacey Chan Lok Heng (b. 1995, Australia) received her BA from the Academy of Visual Arts at Hong Kong Baptist University in 2017. Chan's practice revolves around conceptual processes and the use of everyday objects as medium. Through her drawing, sculpture, and installation works, she presents the form of emptiness and nothingness, allowing for psychological dialogues between viewers and objects. Her pharmaceutical works, in particular, challenge the physical manifestation and inherent symbolism of Western medicine, deconstructing its meaning and reflecting on the relationship between contemporary art, medical cure, and religious redemption.

Her works have been exhibited in various exhibitions, such as solo exhibitions "Placebo" (Gallery Exit, Hong Kong, 2021) and "In-Itself" (Toni Areal Gallery, Zurich, Switzerland, 2018), as well as group exhibitions "Museum of Half Truths" (1a Space, Hong Kong, 2020), "Chinese Whispers" (Austrian Museum of Contemporary Art, Vienna, 2019), "Yicca 2019" (Prsten Gallery HDLU Museum, Croatia, 2019), and "Weight Watcher" (Kunstquartier Bethanien, Berlin, Germany, 2018). Chan currently lives and works in Hong Kong.